Film Year: 2018
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Through a Compassionate Lens: How Filmmakers Frame Human Rights
Read More: Through a Compassionate Lens: How Filmmakers Frame Human RightsSaturday, April 7 – 6:30 p.m. The Lyric Free Join ACT Programming Director Scott Diffrient in this intimate conversation with a handful of this year’s filmmakers and subjects. Diffrient will engage participants in a series of questions that explore the ethics, challenges, inspiration, and techniques involved in making, and being the focus of, documentary…
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Student Film Competition Selections
Read More: Student Film Competition SelectionsThe third annual ACT Human Rights Film Festival continues its special student filmmaker section, celebrating excellence in the field of socially conscious cultural production. Eight student films that examine a range of human rights issues from domestic violence, immigration, sexual assault, identity, and war will screen: Juror’s First Place: Paris, Mauricio…
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Nowhere To Hide
Read More: Nowhere To HideOnly recently have the long-term negative effects of the United States’ 2003 invasion and subsequent occupation of Iraq come into view. Set in the aftermath of widespread infrastructural collapse, political insurgency, and bloody civil war, director Zaradasht Ahmed’s explosive documentary Nowhere to Hide chronicles the unrelenting hardships of internally displaced…
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Memory in Khaki
Read More: Memory in KhakiFollowing its premiere at the 2016 Karlovy Vary Film Festival, director Alfoz Tanjour’s A Memory in Khaki has garnered international acclaim for its lyrical treatment of the decades-long oppression faced by Syrians, millions of whom have been forced to flee their country and its authoritarian government because of their political…
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Dead Donkeys Fear No Hyenas
Read More: Dead Donkeys Fear No HyenasVerdant, arable farmlands in Africa, especially in biodiverse but poverty-stricken countries like Ethiopia, have been called “green gold.” This is because of their exploitable, exportable resources and the relative ease with which local bureaucrats are able to evict indigenous people from their homes, thus clearing the way for foreign investors…
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Minding The Gap
Read More: Minding The GapComparisons to Richard Linklater’s poetic coming-of-age drama Boyhood (2014) are fitting yet inadequate in gesturing toward the boundless exuberance and bottomless depth of feeling awaiting viewers of the Sundance sensation Minding the Gap. Shot by first-time filmmaker Bing Liu over five years, this Rust Belt documentary begins by showing a…
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Freedom For The Wolf
Read More: Freedom For The WolfBearing a title that was inspired by a quote from the philosopher Isaiah Berlin, who once warned his readers of the deleterious effects of unrestrained capitalism and economic individualism (writing, “Freedom for the wolves has often meant death to the sheep”), director Rupert Russell’s feature-length debut should be required viewing…
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Other Side of Everything, The
Read More: Other Side of Everything, TheHaving burst onto the filmmaking scene with Cinema Komunisto (2010), her feature-length exposé of the ties between the movie industry of the former Yugoslavia and that country’s authoritarian regime prior to President Tito’s death in 1980, director Mila Turajlic returns with a more intimate — but no less-sweeping — look…
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Anote’s Ark
Read More: Anote’s ArkTrained as a visual anthropologist, photographer Matthieu Rytz makes his stunning debut as a filmmaker with Anote’s Ark, a thought-provoking documentary about the plight of the roughly 100,000 people living on — and now regretfully leaving — Kiribati, a remote Pacific Island nation that is on the frontline of a…
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Crime + Punishment
Read More: Crime + PunishmentThe standard definition of a “whistleblower” as a person who publically or privately raises a concern about illegal or unscrupulous workplace practices fails to conjure the ethical conundrums and professional consequences of such a brave act. Stephen Maing’s Crime + Punishment shines a light on a small group of African…

